Geek Power

   I know who Robert de Boron is – so I’m a literary buff, right? Or maybe that’s not enough... And I also know who Theodore the Studite is – so I’m a history buff, right? Or maybe that is still not enough...

   How do you determine who’s a geek and who isn’t? Knowing about Boba Fett isn’t enough: that, I can say for sure.

   First, we must ask: what is a geek? Where do geeks come from? When did geekness began, exactly? Were there geeks in 1930? Was Lovecraft a geek? What action figures did he collect? What about Poe? And Tolkien? Is geekness linked exclusively to Kirk, Spock, Batman, and RPGs? So there were no geeks before, let’s say, the sixties, is that it? Or maybe geekness existed for thousands of years, and just recently “evolved” into its comic books / Star Trek form. Maybe that’s just Contemporary geekness. In the days of the cavemen, maybe the geek was a skinny guy who knew all about mushrooms. In the Middle Ages, maybe the geek was a girl who knew how to read, owned three books, and died on a pyre while her fellow villagers yelled “witch!” because she could speak ten words of ancient geek – I mean Greek.

   We could debate this theory for years and never come up with a definitive answer. And it still doesn’t help us with the question at hand: who’s a geek, and who isn’t? The Urban Dictionary says:

   A geek is a person who is socially excluded from a general population. Unlike nerds, geeks do not necessarily have to be smart. They often create groups among themselves, and generally have these similar characterizations: 1) Lack of participation in physical activities, such as sports; 2) An interest in computers; 3) A crude sense of humor radically different from common society; 4) A negative attitude toward common society.

   Wikipedia adds:

   In current use, the word typically connotes an expert or enthusiast or a person obsessed with a hobby or intellectual pursuit, with a general pejorative meaning of a “peculiar person”.

   With The Big Bang Theory, that “negative attitude toward common society” vanished completely, and the “peculiar person” simply became a mainstream normie.

   When I was a kid, I remember being so disappointed whenever a movie’s title proved “second degree”, or a metaphor. For example, something called The Seven Devils was NOT about a group of nasty grinning horned devils, but simply the tale of an elaborate corporate heist, and something titled Death’s Door had nothing to do with any Gate to the Underworld: it was the story of a woman in a long coma, and her husband’s desperate pain. That was then.

   Now, it’s the opposite. Every title is straightforwardly first degree – and everything is sci-fi, fantastic, or fantasy: Black Death recounts the real plague in the real Middle Ages; White House Down is truly about the physical destruction of the White House; Oblivion really chronicles the non-metaphorical end of life as we know it... What about a movie with a title like Snakes on a Plane, but it would tell the story of an airport executive running a Ponzi scheme!

   The Eye of Sauron is a perfect example. In the books, it is a metaphor, referring to the palantír, but also to Sauron’s evil, pervading awareness of almost everything that goes on in and around Mordor, and sometimes as far as the Shire. But in Peter Jackson’s movies, the Eye of Sauron is a real, visible, tangible huge eye of swirling chaotic flames. Get rid of all the subtleties – there you go!

   It’s become a first degree world, people. Nothing we can do about it now.

   The entire world is “geeking up” at an alarming rate. All my friends ever watch are things in which there are laser guns, bastard swords, zombies, magic, or superpowers. When I need to buy a birthday present, I never grab Steinbeck’s To a God Unknown, simply because that great book is NOT about Crom or Yog-Sothoth or Morgoth. But really, what a shame.

   I reread Howard Buten’s Reckless Driving: it is so good – with no bastard swords anywhere, no laser guns or dolphins in space or anything! And I finally saw Sweet Sweetback’s Baadasssss Song: that’s insanely good too, and it’s not a set; everything you see on-screen is the real 1972 Los Angeles. When you’re accustomed to elaborate studio sets (Boardwalk Empire, Gotham) and you suddenly see some glorious authentic ’72 streets, it’s a mind-blowing shocker.

   But the seventies still saw a lot of movies meant for grown-ups that were enjoyed by kids. Nowadays, it’s the opposite: lots of children’s books / movies / games are also enjoyed by grown-ups (Lego, Pokémon, Harry Potter, you name it).

   I love being a geek. Loved it even in the early eighties when it wasn’t fashionable at all, at the peak of the Jock Era. And I suppose being a jock nowadays, in the Geek Era, isn’t as much fun as it used to be in the eighties. But, Thou Shalt Never Take Pity on Jocks, am I right?

   Role-playing games were not intended to become mainstream, ever. In the very beginning, RPGs were a counter-cultural thing, to use La Farge’s words. It was supposed to be a fringe phenomenon, not some gigantic multi-platform social hype now inducted in the National Toy Hall of Fame...

   Also, too many cons – there is one every other week now. The geeks of old were much more “unconventional”, and I’m not saying that just for the pun. Really. It has become very much mainstream.

   There are too many Cthulhu board games. It’s annoying. It’s like these game designers are scrambling desperately to get it just right. Arkham Horror takes too long. Elder Sign doesn’t take long enough. Let’s make another one, Eldritch Horror – and then Mansions of Madness – and of course there’s Cthulhu Wars...

   It kinda feels like those Apple products: iPad, iPhone, smaller iPad, slightly bigger iPhone, medium iPad, even bigger iPhone... Is the smallest of all iPads actually smaller than the biggest iPhone? You reach a point when it’s just Too Much Crap. But let’s get back to the issue at hand.

   When 75% of the people become geeks, well, there are no more geeks. Because that word means “strange” and “different”. When 75% of the people become geeks, it’s the non-geeks who are strange and unconventional – like my dad who only loves Goethe and Chopin and Mozart. My dad is now a geek. He is one of the New Geeks – they honestly don’t know who this Peter Parker guy is. That makes me the jock now, I guess. The Sci-fi Jock and the Gaming Jock...


The Great Halloween Dungeon Dive

   Doing extensive research in his Temple’s library, the cleric uncovered proof that the labyrinth he and his fellow adventurers had already explored twice may very well hide additional levels and sub-levels. So the party sets out on a new quest to find and copy an ancient wall fresco depicting the whole dungeon complex along with some shortcuts and secret access points. That sort of intel is worth a lot in virtually any D&D universe: a series of 5 or 6 fresh / unexplored dungeons nobody else knows about? HELL YEAH!!!

   Since the PCs already know where the two entrance portals are located – they’ve used one in Game #3 and the other in Game #5 – they buy all the necessary gear, and go straight back to the forest where the closest portal can be found.

   Twenty minutes of exploration in empty corridors and vacant rooms with no ancient frescoes anywhere, and then, one of the magic-users – the one with a continual light spell, of course – is suddenly teleported away by a mysterious Shadow Door. And that, ladies and gents, is where the fun begins!

   Magic-user #1 appears in yet another empty room – but where is that room in relation to the rest of the party? Well, at the very least, he’s not in complete darkness! A single door on his left, and double doors in front of him. He goes for the double doors...

   Elsewhere in the dungeon, the six other PCs are scrambling in the dark, finally lighting a torch just in time to see their second magic-user vanish. Did I mention fun yet? It’s only just begun.

   Magic-user #2 appears in a small room with a phosphorescent spirit face on the wall – and that face soon adresses him in a multitude of conjoined voices. It’s warning him and his comrades about a “Crypt Thing” that wanders around the place. “Whatever you do, never attack the Crypt Thing...”

   Meanwhile, magic-user #1 opened those double doors, and saw a wide corridor with a lone skeleton slowly getting to its feet. Magic-user shoots two magic missiles and advances on the skeleton; he is one bold fucker, you have to admire that.

   The others (now five PCs) hastily resume their exploration, Dwarf in the lead, cleric in the rear, holding a torch. But the cleric is not teleported. The bard is. Boom. Gone. And then, as the four remaining characters reach a long hallway, the Dwarf gets a glimpse of a gelatinous cube slowly turning the corner! At the far end of that same hallway, there’s the elusive Shadow Door – and a mummy priest already preparing some dark spell...

   Bard appears in a beautiful room: rich carpet, marble statue, and two huge greenish orbs with stone pedestals – but still no fresco. That’s the mummy priest’s personal room, but the bard doesn’t know that because he’s not yet seen a single monster.

   Reassurance is building now, because the players clearly see how their miniatures are all on the same dungeon map – albeit spread out in different corners. Magic-user #1 is cut away from the rest of the party by that gelatinous cube at one end of the hallway, and the mummy priest at the other end. Skeletons keep coming at him and he smites them with his staff.

   Magic-user #2 is done talking with the coalesced spirits of previous dungeon adventurers. He opens the door only to be caught right in the creeping fog of doom spell the mummy priest has just unleashed in the hallway.

   Bard also have a little chat with some mysterious “prisoner” through those twin orbs. Once he’s done, he leaves that room and comes face to face with a mummy – not the priest, but a regular mummy. The rest of the party is over there, at the other end of the hallway – but there’s an awful lot of nefarious stuff in the way: Shadow Door, creeping fog of doom, two mummies, and now a wraith (spewed by the Shadow Door).

   Then, the Shadow Door disappears from the hallway, reappearing one round later, behind the party, right next to that gelatinous cube. Three foul-smelling ghasts shamble out of the Shadow Door – but the Dwarf, cleric, ranger and thief all Save vs Poison, and none of them suffer the -2 To Hit penalty.

   Now the Dwarf is locked in melee with the “regular” mummy, the ranger fires +2 arrows at the wraith, the thief tackles one of the ghasts, and the cleric uses up one of his Beads of Karma to cast an enhanced silence, thus preventing the mummy priest from using his remaining spells (and these were potent, like ray of frost and disrupt life). Bravo, padre!

   The bard sneaks in from behind the mummy priest and stabs it with his +2 shortsword. He even tries to yodel, but it’s complete, utter silence.

   Magic-user #2 is also inside the silence zone, so he only uses cantrips, throws his new +3 dagger, and then a good old burning flask of oil.

   On the other side of the map, magic-user #1 isn’t affected by silence. He keeps blasting skeletons and tries his web (plus some fire) on the gelatinous cube, to no avail.

   Cleric turned two out of three ghasts, and later rolled a natural 20 to turn the mummy priest! With his sling, the bard kept firing on the mummy priest until it fled to its private chamber and then through the Shadow Door. It barely escaped with 2 HP even though all damage on mummies is always reduced by one half.

   Ranger destroyed the wraith – but not without having suffered some energy drain. Dwarf hacked down not one but two “regular” mummies (there were three mummies in all). Thief fought off a wight that skulked in the corridor.

   Resting for a while in the mummy’s luxurious suite, the party studied spells and cured a great many “light wounds”. After a few hours, they picked up their dungeon crawl and went through seven more rooms – all empty except for three ghouls and five more skeletons. These were easily dealt with.

   As they approached the room which held the exit portal, the cleric had some sort of “vision”. He saw the wall fresco they are seeking, just as if he were standing right in front of it... but then he realized that it was some black-robed skeleton standing there – somewhere – and that he, the cleric, seemed to be looking through the eyes of that black-robed skeleton!

   And the cleric “felt” that he could simply take one step forward and be transported over there, to where the fresco was located...

   Dauntlessly, he goes – taking that step forward, and vanishing.

   The other PCs don’t like that.

   Cleric appears in a big room full of stairs and platforms, with a mezzanine. He is standing in front of a mural depicting the entire dungeon complex, all nine levels of it. And he’s standing next to the ominous robed skeleton: the Crypt Thing they’ve been warned about. (“Whatever you do, never attack it.”)

   It’s like the Crypt Thing knew they were searching for that master map, and intervened in order to “help” them get access to it... Very strange indeed. So the cleric grabs his calfskin vellums and charcoal and starts copying the rather large fresco.

   After six or seven rounds the rest of the party either stumbles into the fresco room (over a trap, expertly found by the thief) or is teleported there, each one in front of a different “dungeon level” rune. Weirder and weirder...

   Oh, and there are quite a few undead lurking in that room: three revenants, one undead green dragon hunched on the second platform, and a blazing skeleton up on the mezzanine. They all seem to leave the cleric alone while he’s busy copying the map. Maybe this is due to the Crypt Thing’s proximity?

   Blazing skeleton immediately begins to shoot balls of blue flames towards the PCs, and two of the revenants savagely attack the bard and the Dwarf.

   After melee had started, the undead dragon slowly moved from its platform to halfway down the stairs – and then used his breath weapon. Five characters were caught in that suffocating cloud of rotten gas, and can you believe all five missed their Saving Throw? Everyone lost 12 HP, except for the cleric and one of the magic-users. Ouch.

   And then the Crypt Thing was gone. No more “protection”. But the cleric was almost done copying that precious map anyway. Two wights crept in through the opposite entrance and angled straight for the magic-users, one of which then cast a web, and the other fired a couple magic missiles.

   “Go up, guys!” I was secretly thinking. “Make for those stairs! Use your Rope of Climbing or that 12-foot ladder from the Robe of Useful Items! Don’t stay in the mosh pit: new undead are pouring in through there! The exit portal is up on that mezzanine... Climb, you fools!

   But they remained down, except for the thief of course, who climbed that wall and got within ten feet of the exit – but he had 1 HP left by then and couldn’t take on the very last obstacle: a giant tentacle!

   The two healers were still in the mosh pit – and the bard was out cold now (-6 HP).

   Then we were out of time, and had to stop.

   I’ve got an idea for my next game. Boss fight first, little scenes later.

   Why is it that gaming has to follow the same narrative buildup than TV shows or movies? If you jump-start the boss fight in the first half of your session, there are three MAJOR advantages:

 • You’re not tired.
 • Players are not tired.
 • You will have time to wrap up that big scene.

   The intro / buildup / climax protocol makes sense in a movie because a movie is only two hours long, not six or eight. It also makes sense in books, since nobody reads an entire book in one sitting – unless your name is Dr. Spencer Reid.

   In a game, though, it makes no sense. After six to eight hours of DMing, you’re obviously drained, your players are exhausted, the focus is not as solid as it was towards the beginning, and some of the guys have to leave because they’ve promised their wives they’d be home by eight...

   So why not deconstruct that age-old recipe and start your boss fight before halftime? What’s the worst that could possibly happen?

   Next time, we’ll see about that! Mark my words.


Who Invented the Dracolich?

   This is a true story. It happened to my brother and I, back in 1986. For almost twenty years, though, I thought nobody else had experienced that thing besides us. It seems pretty obvious now: I was dead wrong. It happened to LOTS of people.

   It was the middle of the winter and I returned home from the gaming store with the brand new Warhammer Fantasy Role-Play core book. I was fifteen, and my brother was eleven – but I already ran home games of AD&D for him whenever I wasn’t at one of my friends’ for some bigger game. Thus, my brother was already familiar with most of the monsters from Monster Manual and Fiend Folio. He sat down with me as I started browsing through the Warhammer book. We were both very excited with that wonderful new concept of “careers”, but after maybe 45 minutes or an hour, we skipped to the monsters section – because we loved monsters. And that is when it happened. Flipping the pages of that monsters section, we got to page 249.

   My brother’s breath caught, and he said, “THAT’S a lich in this game!!??

   I too was gobsmacked. It blew my fifteen-year-old mind. A huge undead bird-lich? Wow, man! Holy crap!

   Turns out, it was all a case of bad editing. Look carefully at those two pages: on the left-hand side you have Undead, Carrion, and Ghoul; on the right-hand side you have Liches (plural), and then the picture for a Carrion (a large undead bird). That picture should have been put on the facing page, next to the Carrion text, and the Ghoul and Liches texts should have been on the right-hand page, without pics.

   But our minds were already blown – it was too late.

   Even though that image clearly depicts a Carrion...

   “Physique: Carrion are skeletal flying beasts, mostly birdlike but with membranous wings and tails, reminiscent of bats or pterodactyls. They stand about 7 feet high, with a wingspan of 15-20 feet.

   Warhammer Fantasy Role-Play (first edition) hit the shelves in January of 1986. Ed Greenwood’s article in Dragon magazine #110 – the very first occurrence of a “dracolich” – was published in June of ’86. Five months later. That’s fact.

   The rest is not fact, but speculation. Still, it stands to reason that MANY players had the exact same reaction as my brother (i.e. “THAT’S a lich in this game!!??”). Word got around, and soon the idea of a “dragon-lich” had a life of its own. Greenwood decided to write it down; if he hadn’t, somebody else would have.

   So the dracolich was a happy accident. Its unintentional creator was the Games Workshop editor who worked on that book in 1985. Paul Cockburn: that is the name printed in Warhammer Fantasy Role-Play’s credits under “editing”.

   Mister Cockburn, we salute you!


Forest Romp

   Welcome to the rundown of my First Edition AD&D game #6. If you’d like to read about previous sessions, check out the “Dungeon Do-Over” post from three months ago.

   The PCs are now real local celebs.

 • They found a fresh, unexplored dungeon, and didn’t grab anything from it.
 • They found an ancient relic of Boccob, and one of Joramy.
 • They won the Dwarven King’s Dungeon Lottery.
 • They brought back a 3-ton silver menhir for the King.

   Villagers are beginning to sing songs about these guys – thus, when a nefarious Orc shaman kidnaps three newborn Human babies in the night, who you gonna call?

   The ranger easily picks up the shaman’s trail. Cleric says, “First 72 hours are key!” Anachronistic, but funny. Those babies have been taken 24 hours ago. So the party promptly follows the kidnapper’s footprints through the woods. After a few hours of tracking they reach a dangerous part of the forest. There are three particularly evil landmarks in that zone: 1) the indestructible wooden tower of an extinct witch coven; 2) a reoccurring rift leading to the first Plane of (possibly) the Nine Hells; 3) an ancient fertility sanctuary of the Ogre goddess Beqweth, Vaprak’s wife.

   Three very evil spots, close to one another – what an ideal place to hang around if you happen to be an Orc shaman!

   First magic-user sends his familiar (a crow) flying towards the old Witch Tower. All he can see are two grizzly bears chained underneath the tower. But as the crow flies closer to that warped wooden structure... an Orc archer hidden inside kills it with an arrow! Ouch. Poor magic-user loses 8 HP. Meanwhile, the second magic-user had sent his familiar (an owl) towards the Ogre sanctuary. He saw a lone gargantuan snake sleeping on top of a huge mossy tumulus, with some shattered phallic monument nearby, but no Orcs.

   The PCs head for the Witch Tower; there’s at least one Orc over there, right?

“And there’s smoke pouring out of the damned thing!”

   Perrier drinking ranger and his E-cigarette provided excellent special FX for the Witch Tower. The ectoplasmic goo covering the building from top to bottom was already scary enough – but if you add drifting wisps of smoke, well...................

   Thief and ranger approached from the west while the cleric, Dwarf, and magic-users came in on the northern side. Those bears were quickly released, and surged forward to get the PCs. From the tower’s balcony, not one but three Orc archers began firing arrows at the Dwarf and cleric. Thief sneaked up to the base of the tower and climbed. Ranger carried on for three rounds firing six arrows at the Orc archers. Orc number one died and fell out. Magic-users blasted one attacking bear with four magic missiles. Dwarf hurled a couple throwing axes. Cleric cast his spiritual hammer.

   By the time the thief had climbed all the way up to the balcony, Orc archer number two was dying and collapsed over the wooden railing, pierced with arrows. The thief boldly stormed the tower all by himself and engaged that remaining Orc in melee – short sword against short sword +2.

   Dwarf and cleric tried to steer the two bears to either side of a dead tree, hoping for the chain to get stuck, but it didn’t work. Ranger and Dwarf had to resort to animal cruelty and finish both bears in a bloody manner. Then the MARG people showed up unannounced – the Medieval Animal Rights Group. I’m kidding.

   One of the babies was retrieved in a makeshift crib inside the tower, under a powerful sleep spell. One down, two to go!

   By that time in the game, one missing player had showed up, so I added the bard to the party – he was following but had gotten lost for a few hours, as Hobbits are wont to do.

   Nightfall found the PCs trudging through dense forest with no clear trails, and the ranger kept seeing traces of various beasts and monsters: bugbears, wolves, panthers, goblins, and even a giant of some sort... We had about ninety minutes of gaming left on the clock, so I decided to skip the random encounters. The cleric carried the sleeping child, and the party arrived at that second location (the Ogre fertility sanctuary) a short time before midnight. Only source of light was a declining campfire in the center of the clearing. The ranger (an Elf) could make out the gargantuan snake on top of the tumulus, as well as two giant snakes lurking in thickets at the edge of the glade. After choosing one of those giant snakes, the PCs made their way towards it.

   First round saw a staggering 39 points of damage dealt to that giant snake; it quickly retreated towards the tumulus, and the other reptiles started to slither in the party’s direction. Except for the thief who wandered off again, all PCs stayed entrenched in that thicket, and were soon assaulted by the 154 HP gargantuan snake, and two 45 HP giant snakes (including the one that had already suffered 39 damage). The wooden door of the tumulus opened and an additional giant snake came out to join in the fight.

The mighty Battle of the Thicket.

   Four or five rounds later the Ogre priestess herself awoke and shambled out of the sacred tumulus clutching her meat cleaver. She cast a spell on the thief and he missed his Save, thus being transformed into a giant ant.

   Antoine, who plays one of the magic-users, grabbed my camera and began taking pictures of the Ogress from inside the tumulus. This proved difficult because of the close proximity and the flash. He had to snap ten or eleven pics, but finally got one right. I think it looks awesome.

“Who dares disturb my sleep?”

   With all the snakes dead except for the biggest one who was being relentlessly clobbered by the Dwarf, the cleric decided it was safe enough to lay down the sleeping baby near that campfire, and he then marched towards the priestess who attempted to polymorph him too, but failed. Priest against priestess – that is one holy clash we all wished for, didn’t we?

   Boccob “the Uncaring” prevailed over Beqweth “the Mother of Ogres”. THE DAMN PATRIARCHY WINS AGAIN...

   Another sleeping baby lay inside the tumulus, along with some treasure: three potions, one phylactery, one ring, one cloak, a pair of bracers, and a very intelligent Dagger of Petrification +3 with an ego as big as a two-handed claymore’s.

   One baby still unaccounted for; but we were already running late and so we called it a night. Decent result: 66⅓% of all missing babies duly rescued. But I only plopped 10 monster miniatures on that table... out of 24 available!

Forest Grump

   We now get to the last part of this post, where I can analyze the game and highlight what went wrong.

   The props are kinda stealing the show now. Players want to head straight to “the best props”. That is no good. So, what’s the answer? Tone it down on the terrain / scenery side of things, and maybe paint more minis instead?

   Also, waaay too much talking. Guys, we can get together once a month if we want and talk about TV shows and movies and politics and stuff – but we only play D&D twice a year. Less talk, more play.

   Third problem: tactics. The guys are too good, that’s all. I really need to break up that tight cluster of PCs by any means necessary. I need to scatter the party and sprinkle small monsters all over the place, make a mess, make things dynamic and unpredictable again. Things are too static right now, because players are excellent strategists. Warcraft and Call of Duty and Halo and Splinter Cell transformed players into masters of efficiency, and that in itself should be a good thing – but it seems to defeat the whole purpose of miniatures and scenery. Why the sprawling terrain if the party keeps moving in a tight knot with the spellcasters huddled in the center and always zeroing in on one monster at a time? Why the trees and rocks and tumuli if no one ever hides under a tree or seeks cover behind a rock or enters the tumulus? Hours of model-making work for zip.

   Elaborate terrain is inherited from the kriegsspiels of the ’60s – wargames, historical reenactments – when things were guaranteed to get messy and trees / rocks / hills were very important. For a group of seven characters, it’s not as relevant. You could run entire scenes with graph paper. The solid clump of characters edges to the left: giant snake #2 is now in range for the magic missiles and spiritual hammer: fire away! Delivering 39 points of damage on a 45 HP giant snake in the first round – just with missiles! The amount of damage dealt by a party of level 4 characters is crazy. I need to give them multiple targets and throw a lot at them all at once if I hope to generate at least a little mayhem; it probably won’t break up that solid clump of miniatures but at the very least it’ll have them surrounded and they’ll have no other choice but to split their damage on several foes. Still pretty static, but it’s a start.

   In my opinion, big minis are a waste of money. Two otyughs cost me $42 with shipping, and only dealt 23 points of damage between the two of them, with no typhus. Air elemental cost $18 and dealt 14 points of damage over four rounds, before being annihilated by seven PCs surrounding it and easily generating 90 damage. That’s $18 for 14 points: more than a buck per point of damage. Expensive, and not a sound investment.

   No more big miniatures then – unless they’re backed by lots of smaller minions. That is the trick: don’t let a party of seven concentrate their attacks on just one monster. Get in their faces. Create urgency. Press them hard. Overwhelm their “defensive huddling”. Split the nucleus, in other words. Make things dynamic again. Use a lot of small miniatures. Use monsters that can appear out of thin air, like invisible stalkers. Use monsters that can drop from the ceiling, emerge through the floor, pass through walls, or blink.

   For my next game, that’s the first challenge. Dynamic. Move player miniatures around on the map. Shake that tree.

   The second challenge is to deal more damage. I realized that none of the PCs in my game ever dropped below 5 Hit Points in the last two sessions. One magic-user dropped to zero when his familiar was shot and killed by an Orc, but that’s the only exception – and I feel like it doesn’t really count. Nobody else was ever out of commission, not even the engineer NPC in game #5. Last time I had a player character dropped to zero HP was exactly one year ago in a big fight against 4 Drows and a Handmaiden of Lolth. Two games were played since – one 9-hour session and one 5-hour session – and not a single knockout. Fourteen hours of play. Man. The guys are tactical. This is not Splinter Cell though, it’s goddamned First Edition AD&D – madness and chaos are supposed to be part of the deal.

   Those challenges stand.

   My next game will not be static. It’ll have forced flow and movement. And mark my words: PCs will drop to zero HP or lower. This, I swear before the Gods of Gaming. It may sound harsh to some players’ ears, but of course I’m not saying this in an aggressive manner. It’s just – I’m starting to feel inadequate. Two entire adventures without anyone dropping to zero? Really?

   The guys don’t see each other often and of course they wanna talk. I prepare too much stuff. That is my fault. For this particular forest adventure I had 3 main combat scenes with spectacular terrain, 1 secondary scene with bugbears and their feral panthers, and 1 mobile / random encounter (the Orc shaman and his apprentices). We tackled 2 main combat scenes, period – and I had to cut the second one short because it was past 19:00 and two players had already left. Basically we played that big scene at the beginning of an action movie, and then went directly to the climax. Nothing in between. Just talk talk talk.

   I need to take that into account and prepare less stuff. Of course the guys are going to talk: that’s only natural, and I don’t want to ban chatting around the table like some Soup Nazi. So I’m going to prepare 2 main scenes and that’s it; there will be ample time to chat before we play the first scene, and in between those two scenes, and at the very end, with the awarding of XP. There’s hardly ever any time left to do that.

   I’m actually quite optimistic. Can’t wait to start working on game #7 which is scheduled for Halloween. Now I know what’s wrong – and I’ll be able to fix it!


Star Trek is... illogical?

   I remember watching that new Star Trek movie on TV, about a year ago. The 2009 J.J. Abrams film. I certainly wasn’t sold on the next ones. Here’s why.

   First off, there is the matter of the “red matter”. That is not a WMD, it’s a WWD – a Weapon of World Destruction. Scratch that. It’s a WSSD – a Weapon of Solar System Destruction! It’s insane! Beats the Death Star. Beats Galactus. Beats everything I ever saw or read in SF/F – except maybe for the awakening of Azathoth and the Great Old Ones, with the stars being “right” and all. But really, that “red matter” is CRAZY. If such a weapon existed, it would require an intergalactic Imperium’s Security Council just to safeguard it and prevent it from falling into the wrong hands. And you would never – ever – put it aboard one tiny shuttlecraft named Jellyfish with a lone aging Vulcan ambassador in it. ARE YOU MAD? Such a superpowerful weaponized substance should be escorted by an entire armada of Battlestars and heavy warships! This is ridiculous. It’s like putting the entirety of Earth’s nuclear warheads on a damn yacht with Madeleine Albright at the tiller, and send that craft somewhere on the high seas without further monitoring!

   How come the Federation didn’t notice the disappearance of the most dreadful weapon in the galaxy? Twenty-five years later that rift in space ought to be the most heavily guarded point in the Alpha and Beta Quadrants. One huge space station plus a hundred major warships patrolling AT ALL TIMES.

   This scenario by Orci & Kurtzman makes no sense at all.

   And then there is the thing with those twenty-five years. Seriously, a ship full of Romulan convicts waited patiently in a remote corner of space for twenty-five years without being noticed, without ever interacting with the rest of the universe, without any mutiny, and without the crew going nuts and killing each other? Not one of these convicts ever said, “Fuck you, Nero! I’ll go to Romulus, and have sex with all the Romulan bitches I can find for the next twenty-five years – and then if Romulus is annihilated in 2387, so be it. But I’m not gonna wither away aboard this damn ugly depressing mining ship. Not for twenty-five years, no way!”

   And where did they get their food and water during all those years? From a replicator, all of it? For a quarter of a century? Really?

   This tremendously long wait is predicated upon ONE single assumption: Nero somewhat knows that Spock’s shuttle carries the all-powerful red matter, and he knows that the shuttle is being sucked into the very same time-rift – but time-rifts are unpredictable anomalies, and if Spock’s shuttle is sucked into the rift eighteen minutes after the Narada, on the other end of the rift (in the past) those eighteen minutes could very well become twenty-five years! Nero knows that. He’s not only a convict and a miner – he’s also an expert on time-rifts somehow...

   So, after the first six months of stealthily waiting, a few Romulans said, “Well, forget it, boss – that shuttle’s not coming! Can’t you see? It has probably escaped the rift’s gravitational pull or something... Let’s move on!”

   But Nero quelled this rebellion and said, “We’ll wait a little longer. Like, twenty more years or so.”

   It’s a farce. A joke. It is NOT AT ALL believable.

   J.J. Abrams has terrible timeline problems, and always tries to blur this blatant flaw by adding “magic” and some “parallel reality”, like we had in Lost and in Fringe.

   Hardcore Trekkies scrambled to fix that huge incoherence by claiming that the entire crew of the Narada was jailed on Rura Penthe during those twenty-five years; but that’s weak, honestly. Doesn’t solve anything, come to think of it. Reeks of desperation.

   So pardon me if I didn’t see the second Star Trek with Cumberbatch, and probably won’t see this new one either. I know Abrams will make a good movie at some point in the future. Let’s lay low and wait for a while – like, twenty-five more years.


Thank You, Evil

   Politically Correct role-playing games? Wait. Let’s talk about this for a bit...

   When I was a teen, it was still possible to pee into colossal flower beds beautifully spelling out the name of your home town, without ending up on YouTube less than half an hour later, and it was possible to play an evil priest of Arioch in Stormbringer, sacrificing innocent human farmers and infants to your villainous god, without being issued an arrest warrant or slammed into the loony bin. Just take a look at these 1988 Iron Maiden lyrics––

I am He – the Bornless One
The Fallen Angel watching you
Babylon, the Scarlet Whore
I’ll infiltrate your gratitude
Don’t you dare to save your son
Kill him now and save the young ones
Be the mother of a birth strangled babe
Be the devil’s own – Lucifer’s my name!

   Those were the days, right? We had to endure through the Satanic Panic of the eighties, but teenagers today are going through something else entirely – something that didn’t get a catchy name yet – let’s call it a “Political Correctness Steamroller”.

   I don’t know, but maybe I actually liked society better before it became just one big worldwide social data farm...

    No Thank You, Evil is cool and rather cute while the kids are 7 or 8, but I don’t think these kids will be allowed to play Stormbringer nine years from now, or listen to Iron Maiden for that matter. I’m not even sure RPGNow would carry Stormbringer today. Even Of Mice and Men: the Role-Playing Game wouldn’t make the cut, because, you know, Lennie kills a woman. Les Misérables: the Role-Playing Game would be banned too, because 11-year-old Gavroche is shot dead at the end. Child soldiers? Child murder? We couldn’t stand for that, no sir. Go sell this crap elsewhere.

   Sooner or later, in games and in fiction, we won’t be able to “kill” anything but generic, nonhuman robots and zombies. No living thing – and especially not animals. An excellent novel about thirteenth-century German and French crusaders hunting and killing lions in the Holy Land won’t stand a chance of getting published. It’s frightening, in a way.

   But the “No Evil” trend actually started back in 1989 when AD&D 2E removed all demons, devils, assassins, and psionics. Psionics are evil, apparently. Charles Xavier is an evil mastermind of the mind.

   Nowadays, if one freethinker parent chooses to let his teenage kid play an evil priest of Arioch, that kid will obviously brag about it to his friends, word will get around, the other kids’ parents will soon learn about it, disapprove, and put this matter up on Facebook. Half a million parents will then righteously “like” that denunciation.

   Is Gen X doomed because it used to play evil characters and love Black Sabbath and Iron Maiden? Absolutely not. It is doomed because a bunch of frat boys in New York and Hong Kong fucked up the economy on a global scale. There is that worldwide social data farm, and then there is also the world-encompassing financial sandbox.

   Evil didn’t do that. “Good boys” did.


Dungeon Do-Over

   Regular readers of this blog know about the First Edition AD&D campaign I’ve been running for almost two years now. We have 2 game sessions a year – it’s not much – and we’ve just played Game #5 on May 21. Huge success.

   This time around the guys returned to the dungeon they’d explored exactly one year ago (that’s four months, in the game world). They wanted to retrieve the big silver menhir they’d seen before. This 3-ton block of pure alchemical silver is worth somewhere between 120,000 and 150,000 g.p. but the players absolutely need a Dwarven engineer and some equipment in order to dislodge and carry that thing: tree trunks, logs, chains, pulleys and levers. This Dwarf is the NPC I created to help them along. PCs tackle the dungeon denizens, and the engineer will take care of that menhir.

   For once, they knew exactly where the first teleport would take them – they’ve been in that room before, fighting goblins and a trapper. Four months later, monsters have been replaced / replenished... and the DM also put in much more work.

Notice the giant scorpion INSIDE the pit...

That gnoll had a wood palisade providing 80% cover.

   Since the party knows this dungeon and has two accurate maps for it, there was quite a lot of movement / routing around / backtracking. The mind flayer was home (it is his dungeon, after all), and he had 14 “dominated” human mercenaries with him, plus a gnoll captain, many kobolds, an air elemental, and a grell. The players didn’t want to fight this daunting assortment head-on, and so they used the dungeon layout to their best advantage: we saw meleeing in corridors, staircases, and smaller chambers, as shown in these pictures.

Kobolds tried to “smoke them out”.

Air elemental? Toughest monster of the game lasted only 5 rounds!

The mighty Battle of the Corridor.

   I’m glad I could make use of my two favorite full page AD&D pictures: the kobolds (Monster Manual), and the awesome grell (Fiend Folio).

    This image is all the more fitting because one of my players, a magic-user, cast his newly acquired web spell on the kobolds – just like in the pic!

   The grell image is also rather fitting since it was the ranger who got himself all tangled up in the creature’s paralyzing tentacles – and that sword-wielding dude in the picture kinda looks like a ranger in splint or scale mail...

Thieves love to do stuff all by themselves...

   After many hours of play and numerous skirmishes, the final clash happened with the mind flayer and his dreaded pet grell, but I really dropped the ball on this one. A penultimate corridor engagement had occurred without the spellcasters using up any of their spells, because they said they needed that “heavy artillery” to kill the mind flayer stone dead in three rounds flat. They kept repeating that over and over again – and the effect on me was similar to a hypnotic pattern I suppose, because when Dr. Flayer showed his ugly mug, I totally forgot about his 90% magic resistance. All the players (not just those two magic-users) were definitely pumped and ready to unleash a spell storm. I focused on the mind blasts – but it wasn’t enough. Sorry, illithid friends. I guess two pints of 6% beer isn’t a good idea towards the end of a 9-hour session...

   My stinking cloud marker is a piece of dyed cotton coil, and my new web marker is a 4″ × 4″ piece of gauze. Of course the guys cast one on top of the other, and it looked like a glazed pistachio donut or something. Then they lit that web on fire and promptly blasted six magic missiles into the nauseating mess...

   Cleric used 2 out of 4 Beads of Karma to keep his spiritual hammer going for much longer than it should have. Each hit scored maximum damage, because the spell had been prepared using the Incense of Meditation found a year ago in the mind flayer’s own stash – isn’t that ironic!

   They deserve that silver menhir; they did everything right. I’m the one who botched the final scene. All six players were eager and exhilarated – so, let’s call this a “good” boss fight, despite my mistake. Better that than an unenthusiastic clash with a fearsome and fully magic resistant mind flayer... Deadly boss fights will come soon enough, don’t worry. I’m gonna have to bust out the beholder or red dragon within a year or so. This party kicks ass.

   For those readers mostly interested in the actual “game session” recaps, here’s the complete list again. Not click-on, though. Jot it down + look through the archives for those posts.

   Game #1   2014: July 28
   Game #2   2014: December 11
   Game #3   2015: June 10
   Game #4   2015: September 13



Mean & Silly RPGs

   This is serious business. Goofiness has been systematically expunged from role-playing games. No more little comic strips like the ones we had in the ’78 Players Handbook. No more preposterous adventures like White Plume Mountain or the 1988 Castle Greyhawk. No more ludicrous monsters or magical items. But the very first dragon was named Gertie – let’s not forget that. And the first Orc King was named Funk III. Dragons nowadays are called Murozond or Shimmergloom, and Orc Kings are called Krôthzmûsht-Vgorth or something. It has to be manly. It has to be badass. Just look at the elaborate artwork – Half-orc “smashers” and Elven “wardancers” and Space Marines with unwavering resting bitch faces. God forbid we’d ever pass for anything less than real men.

    I’ve never even held a 5E Dungeons & Dragons product in my hands, but lots of folks talked to me about it, and one thing I still remember is this. Someone told me that for any first-level character, a single skeleton or a single kobold means Instant Death. Well, it’s one of two things: either that guy told me a big fat lie, or 5E is really terrible, because kobolds and skeletons are expected to be weak. They’ve been puny since ’77 and before. They are “timeless classic” weak monsters. You start messing with that for the sake of expunging every last ounce of silliness from the game, and lo and behold – you’ve ruined that game.

   That is one of the reasons why I stick to 1E. It’s not like Windows XP: you don’t have to switch, you’re always gonna be able to play; and me, I do not want a different game, I want to keep enjoying the game I fell in love with thirty-three years ago. Adkison, Tweet, Heinsoo and Perkins all offered a different D&D, and why wouldn’t they? TSR evolved from a miniature wargaming company while Wizards of the Coast evolved from a collectible card game company: it cannot be the same approach or philosophy. It just can’t.

   Silliness now is a flaw – unless you have the confidence or star power to sustain it unflinchingly. Leeroy Jenkins is silly, sure, but Ben Schulz have nothing to worry about: he is now a star of the online gaming world. But if your friend Bruno’s PC suddenly becomes “silly-ed”, he’s gonna be mortified. Silly is no good. Epic / ruthless is the way to go. Don’t ask me. That’s not at all how it was in the beginning.

Silly Beholder / Badass Unfuckwithable Beholder

   In this blog right here, THE most popular post is a 100% silly little thing called “Behold!”, written a year and a half ago. I still don’t understand why so many people linked to it – but it is proof, right? Proof that there is a demand for RPG silliness.

   Real men aren’t good game designers / scriptwriters / DMs. They shouldn’t decide which class or race is cool, and which one isn’t. Insecurity is a slow and pervading disease eating at almost everything: politics, religion, entertainment. For now, though, let’s concentrate on pen and paper RPGs.

   The phenomenon really started to manifest itself around the time Warhammer Fantasy Role-Play first came out. Keep the Dwarves, minimize the Elves, almost exclude the Hobbits. Dwarves are cool – they kick ass, grow huge beards, dig tunnels and wield hammers: they’re men – well, technically not, but you see my point.

   Elves are refined, educated and artsy. It verges on silliness. Let’s give them one big forest on the western edge of the Empire, and forget about them. Gnomes and Hobbits are even sillier. I’m not sure there were Gnomes in Warhammer. And here’s how Hobbits were depicted:

    A picture is worth a thousand words! Look at those ridiculous bulging eyes: is he sucking on some dildo? Raise your hand if you’d like to play that little fella. Huh, I don’t see a single hand? What gives?

   In one of the very first issues of White Dwarf, a guy named Roger Musson wrote a complaint: he didn’t like the magazine’s little cartoon strips. “Childish rubbish is the prerogative of The Dragon,” he said.

   “Silly-phobia” later spilled to AD&D. I remember this quite well. By 1987 one of my friends (and a DM himself) had already given each class a color code. Red meant you did NOT want to play this class in a group of 17-year-old guys with long hair and Iron Maiden T-shirts. As I recall, paladins, bards, and illusionists each had a code red slapped on them. Code yellow was for clerics, monks, and maybe druids – I don’t remember clearly. These were classes that could be cool, but you really had to design your character carefully and / or choose your god among the “awesome” gods. Code green was for fighters, rangers, magic-users, thieves and assassins; you just couldn’t go wrong with these. I was in my fourth year of playing a redhead ranger named Dälvik, so I was in the safe zone when my friend first came up with these color codes. He didn’t use the word “silly”, though. But that’s exactly what it was – a Silly Index for AD&D classes.

   Paladins are lawful good; they have to be gentle and devoted and respectful: they can’t burn villages to the ground or steal a wounded NPC’s +3 broadsword... Bards are just guys with flutes or lyres... And illusionists are boring magic-users without fireballs or magic missiles. It figures.

   Castle Greyhawk’s only real flaw was to come out maybe five or six years too late. Fighting Colonel Sanders in ’88 isn’t much more hurtful than fighting the Cheshire Cat in ’83 or encountering the Greyhawk Construction Company in ’79 or a druid armed with a phaser in ’72. In the early eighties, that adventure would have been “normal”. In the late eighties, whimsical already had a bit of a bad rep.

   By 1991 the French published Bloodlust, which was very nice, but the strain of silly-phobia took a turn for the worse. Elves were now extinct for not reproducing fast enough, and the few remaining half-breeds worked as high-end prostitutes. For a bunch of 21-year-old metalheads, what a laugh!

   By the time White Wolf started releasing game products, the “goth” craze was already going strong. Goths like things serious. You would be hard-pressed to find one silly clan in Vampire: The Masquerade or a silly tribe in Werewolf: The Apocalypse. It’s all brawn and flair and all-around greatness: Gangrel, Fianna, Brujah, Black Furies, Nosferatu, Red Talons, Malkavian...

   In 2006 Wizards of the Coast introduced a new killer race: the Dragonborn. Who would even want to pass this up and play a Gnome illusionist, right? But I did play a Hobbit pedlar in Warhammer, back in ’96, and I used to munch on dry sausage all the time – like that little fella in the picture. I was a bit older, by then. Somebody had to do it, I think. You can’t let insecure game designers bully their readers like that, under no circumstances.

   Now that I am done blogging for the day, I’m gonna log into World of Warcraft; Killstroy Blackdoom, karl of Gothsküll, my level 94 barbarian, awaits.


What Lovecraft Really Meant

   Plato had a theory. To help our understanding of it, he invented a Cave. We soon dismissed that Cave, but understood the theory itself.

   Lovecraft also had a theory. To help us understand, he created a Mythos. We loved that Mythos, but somewhat failed to understand the core message.

   Plato’s point was this: what is discernible with our five senses may not be the whole truth. If someone was to be chained in a cave since early childhood, and only ever saw shadows on a rock cliff, he / she would be unable of even imagining the world outside the Cave – the world that actually makes those shadows. So, now, how do we know this isn’t the case for us too, in this world?

   Lovecraft’s message was this:

   “The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

   Howard Phillips Lovecraft’s first and foremost intention was not to craft an elaborate horror mythos, but simply to tell a cautionary tale about science. Science is very useful, yes; it saves lives and provides us with clean drinking water, comfortable shelter, and the like. But at one point, science is gonna fail us. Lovecraft was absolutely spot-on about that. The higher “up” we go towards the extremely vast (e.g. Dark Matter), science fails us. The further “down” we go towards the extremely small (e.g. Higgs boson), science fails us. And yet maybe Higgs boson and Dark Matter are one and the same...

   Yep – now that would certainly be the Elder Gods’ cruelest joke.


Hommlet: New Developments

   Village of Hommlet. CY 599, developers moved in and bought most of the land, building luxury mansions and two hotels. Then the Temple of Elemental Evil merged with a larger evil corporation, and after a few short years these new guys decided to outsource all the “eviling” in and around the Temple to India.

   Evil Hindu goddess Kali dispatched a whole lot of her eight armed minions to the Temple and the moathouse, but she didn’t want to go herself and manage operations; she subcontracted that gig to the Chinese demigod Chih-Chiang Fyu-Ya.

    In hindsight, this move wasn’t smart, because many disgruntled Caucasian adventurers went away and never returned to Hommlet, seeking “whiter” dungeons south of the Kron Hills.



Batman V Superman: The Dark Knight Doesn't Return

   I have stated before that Hollywood is like a wood chipper – throw any source material in there, good or bad, and it’s instantly turned to crap. Frank Miller’s The Dark Knight Returns, you’re up.

   Haven’t seen Batman V Superman yet, but I will. I just wanted to post something about it right away, and maybe I’ll write a second post on that same topic after I have actually seen the movie. For now, here are my preliminary impressions.

   They seem to have rubbed out my favorite character: Carrie. Why? It makes no sense. Look at all the Millennial stuff out there: The Hunger Games, Divergent, The Shannara Chronicles – new trend now is to have strong female heroines. You even have Cinderella in Space, a.k.a. Star Wars: The Force Awakens. I’ve got nothing against Girl Power, but why scrap the one strong female character that’s already present in the source material? Carrie is right there, DC, she’s right under your nose!!!

   Good God almighty, this is painful.

   I loved Carrie since I first read that book. She is awesome, and the only “hopeful” character in an otherwise grim and depressed world. Come to think of it, The Dark Knight Returns is kind of her story. Parts 1 and 2 make up her origin story. In parts 3 and 4, you sometimes get the impression that Bruce keeps going simply because Carrie is looking up to him and he’s the only decent father figure she’s ever had in her life. And that’s beautiful.

   They’re deleting all that, and throwing Wonder Woman in the mix just to be able to check that “strong female” box.

   When there is no strong female character in the source material, they go ahead and invent one, like Tauriel in The Hobbit. And when there is a strong female character in the source material – well, they ignore it. What a damn shame.

   The second thing I love in The Dark Knight Returns is the passage of time, as Alan Moore put it in the Foreword. Ten years have gone by since Batman retired. Bruce is fifty-five. Jim Gordon is seventy. Alfred is eighty-something. Clark haven’t aged a bit, but he’s the only one.

   Having seen the trailers, I can say that the “passage of time” is not an element here. We are suddenly back in the heyday of superheroes: Wonder Woman, Lex Luthor, in “the perpetual limbo of their mid-to-late twenties”, to quote Alan Moore again. In one of the trailers, Affleck says he is “old”, but he’s not fifty-five, no way. More like forty. And Alfred is certainly not eighty.

   The “big blue boy scout” ain’t big enough or blue enough for my taste. And where are Two-Face and the Joker? And what the hell is Zuckerberg doing in there?

   It is NOT really The Dark Knight Returns, anyway. I can see that now. They just borrowed the book’s main premise – two heroes squaring off against each other in quite a dramatic way – and threw out the rest. Superman might still intercept a nuclear missile, yes. Batman and Superman might fight for a while, sure. But they’ll become friends soon enough and unite their efforts to rid the world of a greater evil: Facebook.

   How come the source material never seems to be good enough for the big screen? Hollywood cut out the huge “alien” monster from The Watchmen. Hollywood replaced Galactus with a big black space-smudge in Fantastic Four: Rise of the Silver Surfer. That is like those big studios saying to comic books in general, “You’re no good. You’re not screen-worthy. We will use you as raw material – but you need some fine-tuning.”

   Fuck the source material. That seems to be Hollywood’s Prime Directive these days.

   No Boy Wonder because it’s kinda gay. No Carrie alongside a hunk like Affleck, because that would be creepy. Let’s stick Wonder Woman in between Batman and Superman – between the bad boy and the clean-cut dude –, just like Bella, you know: will she choose Edward or Jacob? Mainstream. Recipes. They work.

   What do Katniss, Tris, Princess Amberle and the other “Millennial” heroines have in common? They’re all ass-kicking teenage girls. But now, you get a VINTAGE ass-kicking teenage girl from way back in ’86 – and you just pass on that?


   I’m still gonna do something I didn’t do for any of the Hobbit movies or the new Star Trek movies or Indy 4 or The Force Awakens – I’m going to actually walk into a theater and see Batman V Superman. Then (maybe) I’ll come back here and blog a bit more about all the hoohah, whether I liked or hated the film.